Tuesday, August 30, 2005


Add this to your podcast subscription:

An open source algorithmic, computer-generated podcast: "Mp3Babelcast The babelcast (RSS feed) is perhaps the first algorithmic, computer-generated podcast. Using generative algorithms available in the open source, cross platform, Python-programmed athenaCL system to control Csound, this series is a sort-of political media-talk mash-up. Sounds of politicians and commentators are collected during a period of days or weeks, and then algorithmically processed, recombined, and mixed with noise and percussive textures into a fragmentary, distorted landscape of sound. Link. It's mesmerizing."



(Via MAKE: Blog.)



Booxter



Matthew Shedlick, CEO of Deep Prose came to the Apple SoHo store to talk about the application he developed called Booxter, which can be used to track information about books in the form of libraries.

Booxter takes barcodes for books and inputs them into a library, which is essentially a database, via different methods: manual input, dragging and dropping icons/links from various websites (Amazon, Barnes & Noble etc) that provide information about books, scanning barcodes of books with the use of bar code scanners, iSights and other cameras that can view bar codes clearly. Booxter searches the web for the ISBN or LCNN numbers that are on the bar codes of books to obtain information like Title, cover, publisher, author etc. related to the book to include in the database of Booxter. The information of books contained within Booxter can be exported in HTML/XML format, BibTex (which is a bibliographical format), and as a text file. A user can customize what fields of information to display for each book and even set up when a user borrowed a book and when a book is due, enabling the establishment of a lending library. Booxter can export the book information from Booxter to an iPod, so a user could access their book information via the notes function of the iPod.

Matthew highlighted the features of Booxter that work directly with Tiger such as the ability to use spotlight to index the information of the books contained in the different libraries within Booxter. Spotlight in the toolbar can be used to access information about books in Booxter by launching Booxter files directly even if the application is not currently running. The interface for organizing books into various libraries is similar to the iTunes smart playlist function, where a user can implement specific conditions to organize a series of books.

This is useful software if you have an interest in creating a database of books you own or books you want to own.


Link to download the software: Deep Prose

Friday, August 26, 2005

Art Parade September 10, 2005



Deitch Projects in collaboration with Paper Magazine and Creative Time are producing a crazy art parade on Saturday, September 10th on Grand Street between Crosby and Wooster.

They are putting out an open call for parade projects. Proposals can be sent to info@deitch.com

More info here

Tuesday, August 09, 2005

Robert Smithson at the Whitney

Robert Smithson at the Whitney

A retrospective of Smithson's work is currently on view at the Whitney. There is a lot of growth throughout the progress of the development of his work despite his short life span. His most interesting pieces are his Mirror Pieces which are various mirrors installed with smatterings of shells, sand and rocks. The effect is the creation of an endless kaleidoscopic view of the material.

Smithson's most famous piece, the Spiral Jetty in Utah is documented with Smithson's drafts and plans. There is a video piece of the Spiral Jetty, which at first seems like a documentary of the Spiral Jetty, but is actually an autonomous video piece with the Spiral Jetty as the focus, and is meant to be viewed as an independent piece as opposed to a traditional documentary video.

During the docent tour, the issue of the conservation of Smithson's earth art was raised. Should earth art be conserved? Should it be maintained in order to ensure that it retains the state it was created as? Or should the work be left alone to evolve?

Questions were raised regarding the issue of whether the Spiral Jetty's rocks should be refreshed or left as is, to emerge and re-emerge despite the rising of the waters of the salt lakes.

The first response to the aforementioned issues would be that the answer regarding the preservation or the action to not preserve Earth Art should be decided by the artist who creates the work. Smithson never left a formal response to whether the Spiral Jetty should be preserved or not. The Spiral Jetty has actually been submerged by the water of the Salt Lakes and has recently re-emerged coated with salt crystals.

Earth Art should not be maintained because the natural evolution of the work that is a result of natural elements that occur within the site becomes part of the work, and actually creates a physical dialogue between the Earth work and the environment.

My favorite line from the docent tour was Smithson's method of defining entropy is a vivid image that elegantly explains the concept:
Entropy is like a sandbox where there are two colors of sands separated into two areas, one black and one white. Ask a kid to run around the sandbox in a clockwise manner, and this causes the sand to turn gray because the black and white sand mixes together. However, you cannot ask the kid to run counterclockwise to reverse the mixture of sand. This is entropy.